OSCAR WILDE
The Writings of Oscar Wilde, vols. 1 – 15, New York, Keller-Farmer & Co., 1907 [unauthorized edition] (https://bit.ly/3qWzr31)
The Works of Oscar Wilde: First Collected Edition, [vols. I – XIV], London, Methuen & Co, [13 Feb.-15 Oct.]1908 (https://bit.ly/3ecU4AC)
The Writings of Oscar Wilde, vols. I – XII, New York, Gabriel Wells, 1925 (https://bit.ly/3yJwL9w)
The Complete Works of Oscar Wilde
– vol I: Poems and Poems in Prose, ed. by Bobby Fong and Karl Beckson, Oxford, Oxford University Press, 2000
– vol. III: The Picture of Dorian Gray: The 1890 and 1891 Texts, ed. by Joseph Bristow, Oxford, Oxford University Press, 2005
– vol. IV: Criticism: Historical Criticism, Intentions, The Soul of Man, ed. by Josephine M. Guy, Oxford, Oxford University Press, 2007
– vol. V: Plays 1: The Duchess of Padua; Salomé: Drame en un acte; Salomé: Tragedy in One Act, ed. by Joseph Donohue, Oxford, Oxford University Press, 2007
– vol. IX: Plays 2: Lady Lancing (The Importance of Being Earnest), ed. by Joseph Donohue, Oxford, Oxford University Press, 2019
– vol. X: Plays 3: The Importance of Being Earnest; ‘A Wife’s Tragedy’ (fragment), ed. by Joseph Donohue, Oxford, Oxford University Press, 2019
– vol. XI: Plays 4: Vera; or, The Nihilist; Lady Windermere’s Fan, ed. by Josephine M. Guy, Oxford, Oxford University Press, 2021
“Wilde, Oscar, “The Picture of Dorian Gray“, Lippincott’s Monthly Magazine, vol. XLVI, no. 271, July [June 20] 1890, pp. 3-100 (https://bit.ly/2kG6eta)
Wilde, Oscar, The Picture of Dorian Gray, London, New York, Melbourne, Ward, Lock & Co., 1891 (https://bit.ly/2meTDhj)
Wilde, Oscar, Lady Windermere’s Fan – A Play about a Good Woman, London, Elkin Mathews and John Lane, 1893 (https://bit.ly/3cf43Fr)
Wilde, Oscar, A Woman of No Importance, London, John Lane, 1894 (https://bit.ly/36c3CYL)
Wilde, Oscar, The Importance of Being Earnest, New York, Samuel French Inc., London, Samuel French Ltd., 1895 (https://bit.ly/2JlIDdM)
[Wilde, Oscar] An Ideal Husband – By the Author of Lady Windermere’s Fan, London, Leonard Smithers & Co., 1899 (https://bit.ly/3ch2C9E)
[Wilde, Oscar] The Importance of Being Earnest – A Trivial Comedy for Serious People – By the Author of Lady Windermere’s Fan, London, Leonard Smithers & Co., 1899 (https://bit.ly/3a2tOGk)
Wilde, Oscar, Vera; or, The Nihilists, A Drama in a Prologue and Four Acts, [Leonard Smithers], Privately Printed, 1902 [Pirated Edition] (https://bit.ly/3lW5vxH)
Wilde, Oscar, The Duchess of Padua, London, Methuen & Co., 1908 (https://bit.ly/3qV03Ow).
Wilde, Oscar, Salomé. A Florentine Tragedy. Vera. London, Methuen & Co., 1908 (https://bit.ly/37MHiVk)
Wilde, Oscar, “La Sainte Courtisane“, in Miscellanies, London, Methuen & Co., 1908, pp. 229-239 (https://bit.ly/2M3IxZP)
Wilde, Oscar, A Florentine Tragedy, Boston, John W. Luce & Company, 1908 (https://bit.ly/39NrvrM)
Wilde, Oscar, Salomé, La Sainte Courtisane, A Florentine Tragedy, London, Methuen & Co. [1908], 2nd edition, 1910 (https://bit.ly/2rLcBiw)
Wilde, Oscar, The Importance of Being Ernest: A Trivial Comedy for Serious People, in Four Acts, as Originally Written by Oscar Wilde, edited by Sarah Augusta Dickson, 2 vols. New York, The New York Public Library, 1956
Wilde, Oscar, The Picture of Dorian Gray (Urfassung, 1890), herausgegeben von Wilfried Edener, Nürnberg, Verlag Hans Carl, 1964
Wilde, Oscar, Lady Windermere’s Fan, ed. by Ian Small, London, Ernest Benn Ltd., New Mermaids, 1980
Wilde, Oscar, The Importance of Being Ernest, ed. by Russell Jackson, London, Ernest Benn Ltd., New Mermaids, 1980
Wilde, Oscar, The Picture of Dorian Gray, ed. by Donald L. Lawler, New York, London, Norton & Company, 1988
Wilde, Oscar, Oscar Wilde: Two Society Comedies, ed. by Ian Small, Ian and Russell Jackson, London, Ernest Benn Ltd., New Mermaids, 1993
Wilde, Oscar, The Picture of Dorian Gray, ed. with an introduction and notes by Joseph Bristow, reissued, Oxford, Oxford University Press, 2008
Wilde, Oscar, The Picture of Dorian Gray: An Annotated, Uncensored Edition, ed. by Nicholas Frankel, Cambridge, Mass., London, Harvard University Press, 2011
Wilde, Oscar, An Ideal Husband, ed. with notes by Russell Jackson, with a new introduction by Sos Eltis, London, Methuen Drama (New Mermaid), 2013
Wilde, Oscar, The Picture of Dorian Gray, Limited Deluxe Edition, Paris, SP Books, 2018
FURTHER READING
“Oscar Wilde“, Biograph and Review, London, E. W. Allen, vol. 4, August 1880, pp. 130-135 (https://bit.ly/3iV91II)
Aldrich, Mildred, “The Burial of a Fallen Poet“, in Confessions of a Breadwinner . Autobiography, Cambridge, Harvard University Press, 1926, pp. 190-208 (https://bit.ly/36WdTrf)
Amor, Anne Clark, Mrs Oscar Wilde: A Woman of Some Importance, London, Sidgwick & Jackson, (1983), 1988 (https://bit.ly/2KKLPA1)
Amor, Anne Clark, “Heading for Disaster: Oscar’s Finances“, The Wildean, no. 44, 2014, pp. 37–56 (https://bit.ly/2J9qu2y)
Arents, George, Book Collecting as I Found It, New York, New York Public Library, 2nd ed., 1954 (https://bit.ly/34Oe6vn)
Arliss, George, Up the Years from Bloomsbury: An Autobiography, New York, Blue Ribbon Books, 1927 (https://bit.ly/2B1IveV)
Atkinson, Tully, “The Sphinx: Wilde’s Decadent Poem and its Place in Fin-de-Siècle-Letters“, The Wildean, no 23, July 2003, pp. 44-45 (https://bit.ly/3t5oolq)
Austin, Gabriel (ed.), [Hyde, Donald F. and Mary] Four Oaks Library with Four Oaks Farm, 2 vols., Somerville, NJ, privately printed, 1967
Barker, Nicolas, “Caught in the Moment [The Halsted Vander Poel Collection]“, Rare Book Review, London, vol. 31, no. 2, March 2004, pp. 18-23
Barron, James, “Premiere of Original ‘Earnest’“, The New York Times, Nov. 18, 1985, p. 53 (https://nyti.ms/3onTgLs)
Bay, J. Christian, “Private Book Collectors of the Chicago Area: A Brief Review“, The Library Quarterly: Information, Community, Policy, vol. 12, no. 3, 1942, pp. 363-374
Bay, J. Christian, The Bookman Is A Hummingbird: Book Collecting in the Middle West and The House of Walter M. Hill, Cedar Rapids, Iowa, privately printed (The Torch Press), 1952 (https://bit.ly/3rUj8Rb)
Beattie, Simon, “Wilde in Russia“, blogpost, 6 Nov. 2012 (https://bit.ly/3kkXVPV)
Beckson, Karl, The Oscar Wilde Encyclopedia, New York, AMS Press, 1998
Beckson, Karl, and Fong, Bobby, “Wilde as Poet“ in Raby, Peter (ed.), The Cambridge Companion to Oscar Wilde, Cambridge, Cambridge University Press, 1997, pp. 57-68
Beckson, Karl, see: Fong, Bobby
Beerbohm, Max, A Peep into the Past, n.p., [April, 1894], privately printed, 1923 (https://bit.ly/3p0milQ)
Beerbohm, Max, “‘A FLORENTINE TRAGEDY’ and ‘SALOMÉ’“, The Saturday Review, vol. CI, no. 2, 642, 16 June 1906, pp. 751-752 (https://bit.ly/3fDcMkA)
Beerbohm, Max, Herbert Beerbohm Tree: Some Memories of Him and of His Art, collected by Max Beerbohm, London, Hutchinson & Co., [?1920] (https://bit.ly/2T5r6aV)
Beerbohm, Max, Letters to Reginald Turner s. Hart-Davis, Rupert
Berggren, Ruth, “John Carroll University presents The Original Four-Act Version The Importance of Being Earnest by Oscar Wilde“, [1985] (https://bit.ly/362LYVs)
Berggren, Ruth (ed.), The Definitive Four-Act Version of The Importance of Being Earnest by Oscar Wilde, New York, The Vanguard Press, 1987 (https://bit.ly/2Uper43)
Berggren, Ruth, see: Donohue, Joseph
Birnbaum, Martin, Oscar Wilde: Fragments and Memories, London, Elkin Mathews, 1920 (https://bit.ly/2EiETqm)
Blunt, Wilfrid Scawen, My Diaries: Being a Personal Narrative of the Events 1888 – 1914, New York, Alfred A. Knopf, 1922 (https://bit.ly/3bYGUmX)
Bodmer, George, “A. S. W. Rosenbach: Dealer and Collector“, The Lion and the Unicorn, vol. 22 no. 3, 1998, p. 277-288 (https://bit.ly/3q4C6Es)
Borland, Maureen, Wilde’s Devoted Friend: A Life of Robert Ross 1869 – 1918, Oxford, Lennard, 1990 (https://bit.ly/2Fo4QW7)
Bradbury, S., Bertram Dobell: Bookseller and Man of Letters, London, Bertram Dobell, 1909 (https://bit.ly/34CMBGZ)
Braß, Friedrich Karl, Oscar Wildes Salome. Eine kritische Quellenstudie, Borna-Leipzig, Robert Noske, 1913
Bristow, Joseph (ed.), Wilde Writings: Contextual Conditions, Toronto, Univ. of Toronto Press, 2003
Bristow, Joseph (ed.), The Complete Works of Oscar Wilde, vol. III: The Picture of Dorian Gray: The 1890 and 1891 Texts, Oxford, Oxford University Press, 2005
Bristow, Joseph (ed.), Oscar Wilde and Modern Culture: The Making of a Legend, Athens, Ohio University Press, 2008
Bristow, Joseph (ed.), Wilde Discoveries: Traditions,Histories, Archives, Toronto, University of Toronto Press, 2013
Bristow, Joseph, “‘Unediting’ Oscar Wilde: Textual Variants on Trial“, The Center & Clark Newsletter, Fall 2015, pp. 4-7 (https://bit.ly/38AMXQx)
Bristow, Joseph, Mitchell, Rebecca, “Fair Copy Manuscript of Oscar Wilde’s ‘The Decay of Lying: A Dialogue’“, Notes and Queries, vol. 61, no. 4, December 2014, pp. 573-575
Bristow, Joseph, and Mitchell, Rebecca, “The Provenance of Oscar Wilde’s ‘Decay of Lying’“, The Papers of the Bibliographical Society of America, vol. 111, no. 2, June 2017, pp. 221-240 (https://bit.ly/3sacRS4)
Bristow, Joseph, and Mitchell, Rebecca, “Oscar Wilde’s ‘cultivated blindness’: Reassessing the Textual and Intellectual History of ‘The Decay of Lying’“, The Review of English Studies, New Series, vol. 69, no. 288, pp. 94-156
Brockman, William S., “Jacob Schwartz: ‘The Fly in the Honey’“, Joyce Studies Annual, vol. 9, Summer 1998, pp. 174-190 (https://bit.ly/34L1QxA)
Brown Sally, Oscar Wilde 1854-1900, London, The British Library, 2000
Bruccoli, Matthew J., The Fortunes of Mitchell Kennerley, Bookman, New York, Hartcourt Brace Jovanovitch, 1986 (https://bit.ly/3jL0acG)
Bruno, Guido, Adventures in American Bookshops, Antique Stores and Auction Rooms, Detroit, The Douglas Bookshop, 1922 (https://bit.ly/2RQNiVc)
Burgess, Gilbert, “‘An Ideal Husband,’ at the Haymarket Theatre: A Talk with Mr. Oscar Wilde“, The Sketch, vol. VIII, 9 January 1895, p. 497 (https://bit.ly/3qhD2WD)
Campbell, Mrs Patrick [Beatrice Stella Cornwallis-West], My Life and Some Letters, New York, Dodd, Mead and Company, 1922 (https://bit.ly/3izGnMX)
Cannon, Carl L., American Book Collectors and Collecting, from the Colonial Times to the Present, New York, H. W. Wilson Company, 1941, renewed 1969, reprinted 1976 (https://bit.ly/2XZkFdd)
Calloway, Stephen, “Wilde and the Dandyism of the Senses“, in Raby, Peter (ed.), The Cambridge Companion to Oscar Wilde, Cambridge, Cambridge University Press, 1997, pp. 34-54 (https://bit.ly/3q6zUMq)
Chesson, Wilfred Hugh, “A Reminiscence of 1898“ in The Bookman, XXXIV, Dec. 1911, pp. 389-394 (https://bit.ly/34rCS4F)
Christopher Millard: Five Letters and a Catalogue, with an introduction by Timothy d’Archer Smith, London, Viking Press, 1983 (limited edition of 158 copies)
Clark, William Andrews, Jr., and Cowen, Robert Ernest (eds.), Wilde and Wildeiana, vol. I – II, San Fransisco, John Henry Nash, 1922-1924 (vol I: https://bit.ly/3odEpDB; vol. II: https://bit.ly/2JlLa7M)
Clifton, Madeline, “Letter to the Editor: ‘The Importance of Being Earnest’“, The Listener, vol. LII, no. 1345, 9 December 1954, pp. 1027-1028
Cohen, William A., “Wilde’s French“, in Bristow, Joseph (ed.), Wilde Discoveries: Traditions,Histories, Archives, Toronto, University of Toronto Press, 2013, pp. 233-259
Cooper, John, https://oscarwildeinamerica.blog/
Cooper, John, “ First English: Early Press Translations of Oscar Wilde’s Salomé“, Oscar Wilde in America – Blog, May 29, 2021 (https://bit.ly/3zacuLo)
Crum, Margaret, English and American Autographs in the Bodmeriana, Cologny-Geneva, Fondation Martin Bodmer, 1977
D’Arch Smith, Timothy, “Introduction to the New Edition“, in Mason, Stuart, Bibliography of Oscar Wilde, new edition, London, Bertram Rota, 1967 [seven unnumbered pages]
Darwall-Smith, Robin, “The Story of the Robert Ross Memorial Collection“, The Wildean, vol. 15, July 1999, pp. 23-32 (https://bit.ly/3lxVCXb)
Davidson, Michael, The World, the Flesh and Myself, (London, Arthur Barker, 1962), London, GMP Publishing Ltd., 1985 (https://bit.ly/3czqm8K)
Davis, W. Eugene, “Oscar Wilde, Salome, and the German Press 1902-1905“, English Literature in Transition, 1880-1920, vol. 44, no. 2, 2001, pp. 149-180 (https://bit.ly/3vWBAuz)
Dearinger, Kevin Lane, Marie Prescott: “A Star of Some Brilliancy“, Madison, Teaneck, Fairleigh Dickinson University Press, 2009
De Ricci, Seymour, The Book Collector’s Guide: A Practical Handbook of British and American Bibliography, Philadelphia, The Rosenbach Company, 1921 (https://bit.ly/33pAzMV)
De Ricci, Seymour, English Collectors of Books and Manuscripts (1530 – 1930) and Their Marks of Ownership, New York: Macmillan; Cambridge: Cambridge UP, 1930 (https://bit.ly/2P4XOYs)
Dickson, Sarah Augusta (ed.), s. Wilde, Oscar, The Importance of Being Earnest, 1956
Dickson, Sarah Augusta, “An Appreciation“, Bulletin of The New York Public Library, vol. 65, 1961, p. 656-658 (https://bit.ly/3zdM4H9)
Dickinson, Donald C., Dictionary of American Book Collectors, New York: Greenwood, 1986
Dickinson, Donald C., Henry E. Huntington’s Library of Libraries, San Marino, Ca., Huntington Library, 1995 (https://bit.ly/2RFc8Zh) [no Wilde]
Dickinson, Donald C., Dictionary of American Antiquarian Bookdealers, Westport, Conn., London, Greenwood Press, 1998
Donohue, Joseph, “Distance, Death and Desire in Salome“, in Raby, Peter (ed.), The Cambridge Companion to Oscar Wilde, Cambridge, Cambridge University Press, 1997, pp. 118-142 (https://bit.ly/39h1SQb)
Donohue, Joseph, “E. W. Godwin’s Failed Production of ‘The Duchess of Padua’“, The Wildean, no. 30, 2007, pp. 36–44 (https://bit.ly/3iMnIw5)
Donohue, Joseph, “The First Edition of ‘The Duchess of Padua,’“ The Wildean, no. 31, 2007, pp. 39–50 (https://bit.ly/3jJwZX7)
Donohue, Joseph (ed.), The Complete Works of Oscar Wilde, vol. V, Plays 1: The Duchess of Padua; Salomé: Drame en un acte; Salomé: Tragedy in One Act, Oxford, Oxford University Press, 2013
Donohue, Joseph, “Wilde in France“, Times Literary Supplement, London, no. 5867, 11 September 2015, pp.14-15 (https://bit.ly/39BDveq)
Donohue, Joseph (ed.), The Complete Works of Oscar Wilde, vol. IX, Plays 2: Lady Lancing (The Importance of Being Earnest), Oxford, Oxford University Press, 2019
Donohue, Joseph (ed.), The Complete Works of Oscar Wilde, vol. X, Plays 3: The Importance of Being Earnest; ‘A Wife’s Tragedy’ (fragment), Oxford, Oxford University Press, 2019
Donohue, Joseph Wilde’s Earnest: A Century and More of Critical Commentary, Amherst, Mass., University of Massachusetts Amherst Library, 2020 (https://bit.ly/3JGx4bt)
Donohue, Joseph, and Berggren, Ruth (eds.), Oscar Wilde’s The Importance of Being Earnest: The First Production, Gerrads Cross, Buckinghamshire, Colin Smythe Ltd., 1995
Douglas, Lord Alfred, The Autobiography of Lord Alfred Douglas, London, Martin Secker, 1929 (https://bit.ly/335W3nw)
Duncan, Sophie, “Oscar Wilde’s ‘A Good Woman’“, The Bodleian Library Record, vol. 23, no. 2, 2010, pp. 230-247
Edener, Wilfried (ed.), Oscar Wilde The Picture of Dorian Gray (Urfassung 1890), Nürnberg, Verlag Karl Hans, 1964
Edmonds, Antony, “‘You will come, won’t you?’ Bosie’s Visit to Worthing in 1894“, The Wildean, no. 39, July 2011, pp. 26-47 (https://bit.ly/3nR0s2Y)
Edmonds, Antony, “Chronology of Oscar Wilde in Worthing in 1894“, The Wildean, no. 43, July 2013, pp. 108-114 (https://bit.ly/3hoJXdy)
Ellmann, Richard, Oscar Wilde, London, Hamish Hamilton, 1987 (https://bit.ly/3pYSve4)
Ellmann, Richard, and Espey, John, Oscar Wilde: Two Approaches, Los Angeles, William Andrews Clark Memorial Library, 1977
Eltis, Sos, Revising Wilde: Society and Subversion in the Plays of Wilde, Oxford, Clarendon Press, 1996
Eltis, Sos, “Reception and Performance History of Wilde’s Society Plays“, in Powell, Kerry, and Raby, Peter (eds.), Oscar Wilde in Context, Cambridge, Cambridge University Press, 2013, pp. 319-327
Eltis, Sos, “Oscar Wilde, Dion Boucicault and the Pragmatics of Being Irish: Fashioning a New Brand of Modern Irish Celt“, English Literature in Transition, 1880 – 1920, vol. 60, no. 3, 2017, pp. 267-293
Erdman, David V., “The Importance of Publishing ‘Earnest’“, Bulletin of the New York Public Library, vol. 60, 1956, pp. 368-372, 422-423 (https://bit.ly/3dBseeZ)
Espey, John, “Resources for Wilde Studies at the Clark Library“, in Ellmann, Richard, and Espey, John, Oscar Wilde: Two Approaches, Los Angeles, William Andrews Clark Memorial Library, 1977, pp. [23]-48
Fawkes, Richard, Dion Boucicault: A Biography, London, Melbourne, New York, Quartet Books, 1979 (https://bit.ly/3d9mRGg)
Finzi, John Charles, Oscar Wilde and His Literary Circle: A Catalog of Manuscripts and Letters in the William Andrews Clark Memorial Library, Berkley & Los Angeles, University of California Press, 1957 (https://bit.ly/3l8cXpa)
Fleming, John F., see: Wolf, Edwin
Fong, Bobby, and Beckson, Karl (eds.), The Complete Works of Oscar Wilde, vol. I: Poems and Poems in Prose, Oxford, Oxford University Press, 2000
Fong, Bobby, see: Beckson, Karl
Frankel, Nicholas, “Gathering the Fragments: The Rôle of the Collector in Remembering Oscar Wilde“, The Wildean, vol. 22, Jan. 2003; pp. 3–16 (https://bit.ly/3m3ViQK)
Frankel, Nicholas, “On the Dates of Composition and Completion for Wilde’s Salomé and Lady Windermere’s Fan“, Notes and Queries, vol. 52, no. 4, 2005, pp. 488-490
Frankel, Nicholas, “The Typewritten Self: Media Technology and Identity in Wilde’s De Profundis“ in Frankel, Nicholas Masking the Text: Essays on Literature and Mediation in the 1890s, High Wycombe, Rivendale Press, 2009
Frankel, Nicholas (ed.), Oscar Wilde The Picture of Dorian Gray: An Annotated, Uncensored Edition, Cambridge, Mass., Harvard University Press, 2012
Frankel, Nicholas (ed.), The Annotated Importance of Being Earnest, Cambridge, Mass., Harvard University Press, 2015
Frankel, Nicholas, Oscar Wilde: The Unrepentant Years, Cambridge, Mass., Harvard University Press, 2017
Freeman, J. Stuart, Jr., Toward a Third Century of Excellence: An Informal History of the J. B. Lippincott Company on the Occasion of Its Two-Hundredth Anniversary, Philadelphia, J. B. Lippincott Co., 1992
Frohman, Daniel, Daniel Frohman Presents: An Autobiography, New York, Claude Kendall and Willoughby Sharp Inc., 1935 (https://bit.ly/38DeWvu)
Fryer, Jonathan, Robert Ross: Oscar Wilde’s Devoted Friend, New York, Carroll & Graf Publishers, 2000 (https://bit.ly/2x38m4F)
Gale, Maggie B. and Dorney, Kate (eds.), Stage Women 1900 – 1950: Female Theatre Workers and Professional Practice, Manchester, Manchester University Press, 2019
Gardner, Anthony, “The Oscar Wilde Forgeries“, The Sunday Times Magazine, [8 July] 2007 (https://bit.ly/3fu033s)
“The Garvan Collection of Books on Ireland“, The Yale University Library Gazette, vol. VI, no. 3, January 1932, pp. 45-46 (https://bit.ly/2ZQBVVo)
Gattégno, Jean and Holland, Merlin, Album Wilde, [Paris], Édition Gallimard, 1996
Gekoski, R. [Rick], A., Oscar Wilde: The John Simpson Collection, n.p. [London], n.d. [2004]
Gekoski, Rick, Lost, Stolen or Shredded: Stories of Missing Works of Art and Literature, London, Profile Books, 2013
Gekoski, Rick, Guarded by Dragons: Encounters with Rare Books and Rare People, London, Constable, 2021
Gertz, Elmer, see: Tobin, A. I.
Glavin, John, “Deadly Earnest and Earnest Revived: Wilde’s Four-Act Play“, Nineteenth Century Studies, 1987, vol. 1, pp. 13-24
Goodman, Jonathan, The Oscar Wilde File, London, Allison & Busby, 1988
Goodspeed, Charles E., Yankee Bookseller: Being the Reminiscences of Charles Goodspeed, Boston, Houghton Mifflin Company, 1937
Gordan, John D., “A Doctor’s Benefaction: The Berg Collection at The New York Public Library“, The Papers of the Bibliographical Society of America, vol. 48, no. 4, 1954, pp. 303–314 (https://bit.ly/3l03bXF)
Guy, Josephine M., “‘The Soul of Man under Socialism’: A (Con)Textual History“, in Bristow, Joseph (ed.) Wilde Writings: Contextual Conditions, Toronto, Univ. of Toronto Press, 2003, pp. 59-85
Guy, Josefine M., “Oscar Wilde’s Self-Plagiarism: Some New Manuscript Evidence“, Notes and Queries, 2005, vol. 52, no. 4, pp. 485-488
Guy, Josephine M. (ed.), The Complete Works of Oscar Wilde, vol. IV: Criticism: Historical Criticism, Intentions, The Soul of Man, Oxford, Oxford University Press, 2007
Guy, Josephine M., “Vera; or, The Nihilists: Oscar Wilde’s ‘Wretched Play’ and the Challenges of Reassessing ‘Minor’ Works“, English Literature in Transition, vol. 63, no. 3, 2020, pp. 346-375
Guy, Josephine M. (ed.), The Complete Works of Oscar Wilde, vol. XI, Plays 4: Vera; or, The Nihilist; Lady Windermere’s Fan, Oxford, Oxford University Press, 2021
Guy, Josephine M., and Small, Ian, Oscar Wilde’s Profession: Writing and the Culture Industry in the Late Nineteenth Century, Oxford, Oxford University Press, 2000
Guy, Josephine M., and Small, Ian, Studying Oscar Wilde: History, Criticism, and Myth, Greensboro, NC, ELT Press, 2006
Hanff, Helene, 84, Charing Cross Road, London, André Deutsch Ltd., 1971, 4th ed. 1974 (https://bit.ly/30S6gk4)
Harris, Frank, Oscar Wilde: His Life and Confessions, 2 vols., New York, Brentano’s, 1916 (vol. I: https://bit.ly/2OnFs7W, vol. II: https://bit.ly/3mkrgJo)
Hart-Davis, Rupert (ed.), Max Beerbohm: Letters to Reginald Turner, London, Rupert Hart-Davis, 1964
Hart-Davis, Rupert (ed.), Letters of Max Beerbohm, 1892 – 1956, London, John Murray, 1988
Hart-Davis, Rupert, see: Holland, Merlin
Helfand, Michael S., see: Smith, Philip E. II
Herrmann, Frank, Sotheby’s : Portrait of an Auction House, London, Chatto & Windus, 1980
Herrmann, Frank, Low Profile: A Life in the World of Books, Nottingham, The Plough Press, 2002
Hirata, Yoko, “Oscar Wilde and Honma Hisao, the First Translator of ‘De Profundis’ into Japanese.” Japan Review, no. 21, 2009, pp. 241–66, (https://bit.ly/3oXOoix)
[Hodgson, Sydney,] One Hundred Years of Book Auctions, 1807-1907: Being a Brief Record of the Firm of Hodgson and Co., London, Chiswick Press, 1907 (https://bit.ly/31pdmNi)
Holland, Merlin, and Hart-Davis, Rupert (eds.), The Complete Letters of Oscar Wilde, London, Fourth Estate, 2000
Holland, Merlin, The Real Trial of Oscar Wilde, London, Fourth Estate, 2003 (https://bit.ly/2UnGeln)
Holland, Merlin, “Biography and the Art of Lying“, in Raby, Peter (ed.), The Cambridge Companion to Oscar Wilde, Cambridge University Press, Cambridge, 1997, pp. 3-17 (https://bit.ly/3q0YcrC)
Holland, Merlin, see: Gattégno, Jean
Holland, Vyvyan, Son of Oscar Wilde, London, Rupert Hart-Davis, 1954 (https://bit.ly/2UHDPB8)
Holland, Vyvyan, Oscar Wilde, London, Thames and Hudson Ltd., revised ed., 1966 (https://bit.ly/36QIzbF)
Holland, Vyvyan, Time Remembered After Père Lachaise, London, Victor Gollancz Ltd., 1966 (https://bit.ly/2YyZAEL)
Hyde, Donald and Hyde, Mary, “Contemporary Collectors VI: The Hyde Collection“, The Book Collector, vol. 4, no. 3, 1955, pp. 208-216
Hyde, Montgomery H., “‘The Importance of Being Earnest’: The ‘lost’ scene from OSCAR WILDE’S play“, The Listener, vol. LII, no. 1340, 4 November 1954, pp. 753-754
Hyde, H. Montgomery, “Oscar Wilde“, in Austin, Gabriel (ed.), Four Oaks Library, Somerville, NJ, privately printed, 1967, pp. 85-92
Hyde, H. Montgomery, The Trials of Oscar Wilde, New York, Dover Publications, (1962) 1973 (https://bit.ly/3as7R2o)
Hyde, H. Montgomery, Oscar Wilde, New York, Farrar, Straus and Giroux, 1975 (https://bit.ly/2UEu5rp)
Hyde, H. Montgomery, The Annotated Oscar Wilde, Clarkson New York, N. Potter Inc., 1982 (https://bit.ly/2xrn0lV)
Hyde, Montgomery H., Christopher Sclater Millard (Stuart Mason): Bibliographer & Antiquarian Book Dealer, New York, Amsterdam, Global Academic Publishers, 1990
Ingleby, Leonard Cresswell, Oscar Wilde, London, T. Werner Laurie, n.d. (1907) (https://bit.ly/3m6iGfQ)
Ivory, Yvonne, “Oscar Wilde’s ‘The Cardinal of Avignon’ and the Oxford Definitive Edition of His Poetry: Correspondences and Discrepancies“, Notes and Queries, vol. 53, no. 3, 2006, pp. 338-341
Jackson, Holbrook, The Eighteen Nineties, London, Grant Richard Ltd., (1913), 1922 (https://bit.ly/3mIhVJY)
Jackson, Russell (ed.), Oscar Wilde: The Importance of Being Earnest, London, Ernest Benn Ltd., New Mermaids, 1980
Jackson, Russell, “Wilde and His Editors“, in Powell, Kerry, and Raby, Peter (eds.), Oscar Wilde in Context, Cambridge, Cambridge University Press, 2013, pp. 365-373
Jackson, Russell (ed.), The Importance of Being Earnest, London, et. al., Bloomsbury, New Mermaids, 2015 (https://bit.ly/2XvUE2Y)
Jackson, Russell, and Small, Ian, “Some New Drafts of a Wilde Play“, English Literature in Transition, 1880-1920, vol. 30, no. 1, 1987, pp. 7-15
Jackson, Russell, and Small, Ian, “Oscar Wilde: A ‘Writerly’ Life“, Modern Drama, vol. 37, no. 1, 1994, pp. 3-11
Jarvis, Paula, “A. S. W. Rosenbach: Rare Book Dealer Extraordinaire“, Printed & Bound: A Newsletter for Bibliophiles, vol. 2, no. 2, June, 2015, pp. 9-12 (https://bit.ly/3aemUPK)
Jullian, Philippe, Oscar Wilde, New York, The Viking Press, 1969 (https://bit.ly/33V1fqT)
Kaplan, Joel H., “Wilde on the Stage“, in Raby, Peter (ed.), The Cambridge Companion to Oscar Wilde, Cambridge, Cambridge University Press, 1997, pp. 249-275 (https://bit.ly/373dN1n)
Kaplan, Joel H., “A Puppet’s Power: George Alexander, Clement Scott and the Replotting of Lady Windermere’s Fan“, Theatre Notebook, vol. 46, no. 2, 1992, pp. 59-73
Karslake, Frank, Notes from Sothebys: Being a Compilation of 2,032 Notes from the Catalogue of Book Sales which have Taken Place in the Rooms of Messrs. Sotheby, Wilkinson & Hodge between the Years 1885 – 1909, London, Karslake & Co., 1909 (https://bit.ly/3dFpdeG)
Keep, Christopher, “The Cultural Work of the Type-Writer Girl“, Victorian Studies, vol. 40, no. 3, Spring, 1997, pp. 401-426 (https://bit.ly/3bn9115)
Kendall Jr., Lyle H., A Descriptive Catalogue of the W. L. Lewis Collection, Part One, Fort Worth, Texas Christian University, 1970 (https://bit.ly/37Hij4P)
Kernahan, Coulson, In Good Company, London, John Lane, The Bodley Head, 1917 (https://bit.ly/371NbNY)
Kobbé, Gustav, “The Death of a Young Scholar and Book Collector“, The Lotus Magazine, vol. 3, No. 8, May 1912, pp. 227-231 (https://bit.ly/2UvXoxU)
[Kraus, Hans Peter,] A Rare Book Saga: The Autobiography of H. P. Kraus, New York, G. P. Putnam’s Sons, 1978 (https://bit.ly/2Y6HwUm)
Lambert, J. W., The Bodley Head: 1887 – 1987, London, The Bodley Head, 1987 (https://bit.ly/3gXLDJa)
Langtry, Lillie, The Days I Knew, New York, George H. Doran Company, 1925 (https://bit.ly/31OyGM1)
Larson, Jennifer S., “An Enquiry into the Crerar Library Affair“, originally published in AB Bookman’s Weekly, January 22 and March 12, 1990, rptd. in HistoryofScience.com (https://bit.ly/3x3Olnd)
Lasner, Mark Samuels, “A Collector Reflects on Provenance“, Papers of the Bibliographical Society of America, vol . 111, no. 2, June 2017, pp. 241-253
Lasner, Mark Samuels, see: Stetz, Margaret D.
Lawler, Donald D,. An Enquiry into Oscar Wilde’s Revisions of The Picture of Dorian Gray, Diss., Chicago, 1969
Lawler, Donald L., “Oscar Wilde’s First Manuscript of The Picture of Dorian Gray“, Studies in Bibliography, vol. 25, 1972, pp. 125-135 (https://bit.ly/377WE6v)
Lawler, Donald L. (ed.), Oscar Wilde: The Picture of Dorian Gray, New York, London, Norton & Company, 1988
Ledger, Walter, “Bibliography“, in Oscar Wilde, Salomé, La Sainte Courtisane, A Florentine Tragedy, Methuen & Co., London, 2nd edition, 1910, pp. 93-109 (https://bit.ly/3GNnlyu)
Le Gallienne, Richard, “Introduction“ in The Writings of Oscar Wilde: Poems, [vol. 2,] New York, Keller, 1907, pp. 11-28 (https://bit.ly/3hE9Why)
Le Gallienne, Richard, The Romantic ‘90s, New York, Doubleday, Page & Company, 1925 (https://bit.ly/3r7lbkn)
Le Gallienne, Richard, “Introduction“ in The Writings of Oscar Wilde: Poems, vol. 1, New York, Gabriel Wells, 1925, pp. xiii-liv (https://bit.ly/3kdBJHq)
Lewis, Lloyd, and Smith, Henry Justin, Oscar Wilde Discovers America, New York, Harcourt, Brace and Company, 1936 (https://bit.ly/3fwIeAN)
Lich, Glen E., “’Anything but a Misprint’: Comments on an Oscar Wilde Typescript [An Ideal Husband]“, South Central Review, Vol. 3, No. 2, Summer 1986, pp. 46-54 (https://bit.ly/2ygSiMS)
Lloyd, Andrea, “The Lady Eccles Oscar Wilde Collection“, London, British Library, Article 3, eBLJ 2010 (https://bit.ly/3hnAqDT)
Londraville, Janis and Richard (eds.), John Quinn: Selected Irish Writers from His Library, West Cornwall, CT, Locust Hill Press, 2001
MacKaye, Percy, Epoch: The Life of Steele MacKaye, Genius of the Theatre, 2 vols., New York, Boni & Liveright, 1927 (https://bit.ly/3hhF3xP)
Mackie, Gregory, “‘The Modern Idea under an Antique Form’: Aestheticism and Theatrical Archaeology in Oscar Wilde’s Duchess of Padua“, Theatre Survey, vol. 53, no. 2, September 2012, pp. 219-239
Mackie, Gregory, Beautiful Untrue Things: Forging Oscar Wilde’s Extraordinary Afterlife, Toronto, et. al., Toronto University Press, 2019
Maggs Bros, The House of Maggs, London, 1939 (https://bit.ly/2R1FQbb)
Marbury, Elizabeth, My Crystal Ball: Reminiscences, London, Hurst and Blackett Ltd., 1924 (https://bit.ly/3gK3stY)
Marcosson, Isaac Frederick and Frohman, Daniel, Charles Frohman: Manager and Man, New York, Harper & Brothers, 1916 (https://bit.ly/2PUZRPi)
Marland, Rob, “Unnoted Sources in Oscar Wilde’s Vera“, Notes and Queries, vol. 68, no. 4, 2021, pp. 446-448
Marland, Rob, “Unnoted Textual Witnesses in Oscar Wilde’s Vera“, Notes and Queries, vol. 68, no. 4, 2021, pp. 448-453
Marland, Rob (ed.), Oscar Wilde: The Complete Interviews, 2 vols., Jena, Little Eye, 2022
Mason, Stuart, A Bibliography of the Poems of Oscar Wilde, London, E. Richards, 1907 (https://bit.ly/3nqy5YV)
Mason, Stuart, “THE SPHINX, To the Editor of
Mason, Stuart, “Bibliography“, in Wilde, Oscar, Miscellanies, London, Methuen & Co., 1908, pp. 323-344 (https://bit.ly/3nQMC3j)
Mason, Stuart, Art and Morality, London, J. Jacobs, 1908, 1912, reprinted 1971 (https://bit.ly/3dkuUzl)
Mason, Stuart, “Forged Letters of Oscar Wilde“, The Publishers’ Circular, vol. 95, Nov. 18, 1911, p. 755 (https://bit.ly/3vSvYCn)
Mason, Stuart, Bibliography of Oscar Wilde, London, T. Werner Laurie Ltd., 1914 (https://bit.ly/2Vve6ji)
Mason, Stuart, “Oscar Wilde’s Lost Play. To the Editor of The Bookseller“, The Bookseller, London, vol. November 5, 1915, pp. 994-5 (https://bit.ly/3mXSEfK)
Mason, Stuart, Oscar Wilde and the Aesthetic Movement, Dublin, Townley Searle, n. d. [1920] (https://bit.ly/3fhbFFr)
Mason, Stuart, “Letter to the Editor: The Stetson Collection of Oscar Wilde“, Times Literary Supplement, 13 May 1920, p. 303
Mason, Stuart, Oscar Wilde Scrapbooks 1-17 [-18], c. 1880 – , Honma Hisao Collection, Jissen Women’s University Institutional Repository, Hino, Tokyo, (https://bit.ly/3DSNMkv)
Mason, Stuart, see: Millard, Christopher
McCorison, Marcus A., “Sources and Literature for Western American History: Donald McKay Frost: A Collector of Western Americana“, The Western Historical Quarterly, vol. 3, no. 1, 1972, pp. 67–76 (https://bit.ly/2Tm93B1)
McDane, Travis, Thieves of Book Row, New York, Oxford University Press, 2013
McDonnell, Andrew, “Robert Ross at the Bodleian Library, Oxford“, The Wildean, no. 3, July 1993, 4 pages (https://bit.ly/3hqJEil)
McDonnell, Andrew, Oscar Wilde at Oxford: An Annotated Catalogue of Wilde Manuscripts and Related Items in the Bodleian Library, Oxford, Oxford, Gillett Press, privately printed, 1996
McKenna, Neil, The Secret Life of Oscar Wilde, New York, Basic Books, 2005 (https://bit.ly/3lrzuNz)
McKinney, Bruce E., “It all started with a Baedeker: Bernard Shapero’s Life in Books“, Rare Book Monthly, December, 2020 (https://bit.ly/3cNWMNg)
Mead, Donald, “Oscar’s Finances: The Pillage of the House Beautiful: Chapter Six: The Bankruptcy Sale“, The Wildean, no. 4, July 2015, pp. 38-55 (https://bit.ly/2YLJicn)
Mikhail. E. H., Oscar Wilde: Interviews and Recollections, 2 vols., London, Macmillan, 1978 (vol 1: https://bit.ly/2Vl0Om4; vol. 2: https://bit.ly/2JjwH8F)
Mikhail, E. H., Oscar Wilde: An Annotated Bibliography of Criticism, London, Macmillan, 1978 (https://bit.ly/3qdGnpA)
Millard, Christopher, “Sketch of Oscar Wilde’s Life and Literary Career“ (1911), from the original manuscript in the William Andrews Clark Memorial Library, University of California, Los Angeles, in Hyde, Montgomery H., Christopher Sclater Millard (Stuart Mason): Bibliographer & Antiquarian Book Dealer, New York, Amsterdam, Global Academic Publishers, 1990, pp. 125-154
Millard, Christopher, see: Mason, Stuart
Miller, Elizabeth Carolyn, “Reconsidering Wilde’s Vera; or, The Nihilists“, in Bristow, Joseph (ed.), Wilde Discoveries: Traditions,Histories, Archives, Toronto, University of Toronto Press, 2013, pp. 65-84
Milton, Pat, “Oscar Wilde collection, including handwritten ‘Dorian Gray’ chapter, goes on auction block“, lawrence.com, Oct. 10, 2004 (https://bit.ly/3tLk3oj)
Mitchell, Rebecca, and Haas, Kelly, “The Decay of Lying“, The Rosenbach, Jan. 23, 2015 (https://bit.ly/3xpXd8k)
Mitchell, Rebecca, see: Bristow, Joseph
Monkshood, G. F., “Oscar Wilde’s Only Unpublished Play: ‘The Woman Covered with Jewels’“, Reynold’s Newspaper, 23 August 1903, p. 2
Morel, Dominique (ed.), Oscar Wilde: L’IMPERTINENT ABSOLU, Paris, Paris Musées, 2016
Morgan, Margery Mary, File on Wilde, London, Methuen, 1990
Morse, W. F., “American Lectures“, in The Writings of Oscar Wilde, vol. 10, New York, Keller, 1907, pp. 73-129 (https://bit.ly/3kaGBx7)
Morse, W. F., “Introduction“ in The Writings of Oscar Wilde, vol. XI, Gabriel Wells, New York, 1925, pp. (https://bit.ly/3r4IblF)
Morris, Jerry, “Mary Hyde and the Unending Pursuit“, Bibliophiles In My Library (blog), November 6, 2008 (https://bit.ly/31Q0qmN)
Moult, Thomas, “Introduction“, in Spencer, Walter T., Forty Years in My Bookshop, London, Constable & Company Ltd., 1923, pp. xvii-xxxv (https://bit.ly/3q5O6Fx)
Moyle, Franny, Constance: The Tragic and Scandalous Life of Mrs Oscar Wilde, London, John Murray, 2011
Muir, Percy H., Minding My Own Business: An Autobiography, London, Chatto & Windus, 1956 (https://bit.ly/3fUnBNm)
Mumby, Frank Arthur, Publishing and Bookselling: A History from the Earliest Times to the Present Day, London, Jonathan Cape, 1930, 3rd ed. 1954
Munday, Luther, A Chronicle of Friendships, London, T. Werner Laurie, n.d. [1912] (https://bit.ly/3rtGJZI)
Murray, Isobel, “Some Problems of Editing Wilde’s Poem The Sphinx“, Durham University Journal, vol. 51, no 1, 1990, pp. 73-79
Nelson, James G., The Early Nineties: A View from the Bodley Head, Cambridge, Mass., Harvard University Press, 1971 (https://bit.ly/3dg3UhM)
Nelson James G., Elkin Mathews: Publisher to Yeats, Joyce, Pound, Madison, Wis., University of Wisconsin Press, 1989 (https://bit.ly/3guh6Uh)
Nelson James G., Publisher to the Decadents: Leonard Smithers in the Careers of Beardsley, Wilde, and Dowson, University Park, Pa, Pennsylvania State University Press, 2000
“The New Convenience of Civilization“, Pall Mall Budget, vol. XXXIII, no. 868, 15 May 1885, p. 23 (https://bit.ly/2ZBChzb)
Newton, A. Edward, Oscar Wilde, Daylesford, Penn., Oak Knoll, 1912 (https://bit.ly/3fFFN04)
Newton, A. Edward, The Amenities of Book-Collecting and Kindred Affections, Boston, The Atlantic Monthly Press, 1918 (https://bit.ly/35PItBg)
Nowak, Daniel A., “Picturing Wilde: Christopher Millard’s ‘Iconography of Oscar Wilde’“, Nineteenth-Century Contexts, Vol. 32, No. 4, December 2010, pp. 305–335
Oberholtzer, Ellis P., Philadelphia: A History of the City and Its People, 4 vols., Philadelphia, S. J. Clarke, 1912 (https://bit.ly/3br2HVu)
O’Connell, J. Harlin, “A Collector Looks at the Nineties“, The Princeton University Library Chronicle, Vol. 2, No. 4, 1941, pp. 121-132 (https://bit.ly/3HMDxj5)
Peak, Anna, “Oscar Wilde in Philadelphia: The Rosenbach Exhibition“, Victorian Periodicals Review, vol. 48, no. 2, Special Issue: Digital Pedagogies, Summer 2015, pp. 278-280 (https://bit.ly/391WvTQ)
Pearson, Hesketh, Oscar Wilde: His Life and Wit, New York and London, Harper & Brothers, 1946 (https://bit.ly/2UESmxh)
Pearson, Hesketh, The Last Actor-Managers, London, Methuen & Co., 1950 (https://bit.ly/3kBxK4M)
Pearson, Hesketh, Beerbohm Tree: His Life and Laughter, New York, Harper & Brothers, 1956 (https://bit.ly/3e20UI7)
“Play’s Strange History: ‘Florentine Tragedy’ Lost and Found“, The Tribune, London, 4 June 1906
Powell, Anthony, Infants of the Spring, London, Heinemann, 1976 (i.e. vol. 1 of To Keep the Ball Rolling: The Memoirs of Anthony Powell, 4 vols.)
Powell Kerry, “Wilde Man: Masculinity, Feminism, and A Woman of No Importance“, in Bristow, Joseph (ed.), Wilde Writings: Contextual Conditions, Toronto, Univ. of Toronto Press, 2003, pp. 127-146
Powell, Kerry, and Raby, Peter (eds.), Oscar Wilde in Context, Cambridge, Cambridge University Press, 2013
Powell, Lawrence Clark, “From Private Collection to Public Institution: The William Andrews Clark Memorial Library“, The Library Quarterly, vol. 20, no. 2, April 1950, pp. 101-108 (https://bit.ly/2WRrIX7)
Price, Steven, “A Short History of Salome“, in Powell, Kerry, and Raby, Peter (eds.) Oscar Wilde in Context, Cambridge, Cambridge University Press, 2013, pp. 328-336
Putnam, George Haven, Memories of a Publisher, 1865 – 1915, New York and London, Knickerbocker Press, 1915 (https://bit.ly/3tZHBGU)
“Quaritch’s! A New Home For A Historic Bookshop“, The Book Monthly, vol 4, May 1907, pp. 537-542 (https://bit.ly/382JABm)
Raby, Peter, “The Making of The Importance of Being Earnest: An Unpublished Letter from Oscar Wilde“ Times Literary Supplement, 20 December 1991, p. 13 (https://bit.ly/3cBEJGa)
Raby, Peter, “The Origins of The Importance of Being Earnest“, Modern Drama, vol. 37, no. 1, 1994, pp. 139-147
Raby, Peter (ed.), The Cambridge Companion to Oscar Wilde, Cambridge, Cambridge University Press, 1997 (https://bit.ly/3aqTRWw)
Raby, Peter, “Wilde’s Comedies of Society“, in Raby, Peter (ed.), The Cambridge Companion to Oscar Wilde, Cambridge, Cambridge University Press, 1997, pp. 143-160 (https://bit.ly/2Jd6CLW)
Raby, Peter, “Wilde, and How to Be Modern: or, Bags of Red Gold“, in Bristow, Joseph (ed.), Wilde Writings: Contextual Conditions, Toronto, Univ. of Toronto Press, 2003, pp. 147-162
Raby, Peter, see: Powell, Kerry
Randall, David A., Dukedom Large Enough: Reminiscences of a Rare Book Dealer, 1929-1956, New York, Random House, 1962, 1969 (https://bit.ly/30SO3lm)
Ransome, Arthur, “Oscar Wilde in Paris“, The Bookman, New York, vol. XXX, May 1911, pp. 268-273 (https://bit.ly/3xQSRYq)
Ransome, Arthur, “Oscar Wilde in Paris“, T. P.’s Magazine, vol. II, June 1911, pp. 427-435 (https://bit.ly/3DnDo3b)
Ransome, Arthur, Oscar Wilde: A Critical Study, London, Methuen & Co., (1912), 3rd ed. 1913
Reed, Frances Miriam, “Oscar Wilde’s Vera; or, The Nihilist: The History of a Failed Play“, Theatre Survey, vol. 26, no. 2, 1985, pp. 163-177
Reed, Frances Miriam (ed.), Oscar Wilde’s Vera; or, The Nihilist, Lampeter, Lewiston, Queenston, The Edwin Mellen Press, 1989
Reid, B. L., The Man from New York: John Quinn and his Friends, New York, Oxford University Press, 1968 (https://bit.ly/32N4SCU)
Riquelme, John Paul, “Oscar Wilde’s Anadoodlegram: A Genetic, Performative Reading of An Ideal Husband“, in Bristow, Joseph (ed.), Wilde Discoveries: Traditions,Histories, Archives, Toronto, 2013, pp. 289-314
“The Rise of Felix Isman, Audacious Real Estate Dealer“, New York Times, Feb. 10, 1907, p. 33 (https://nyti.ms/3EUOU6V)
Roberts, W., The Book-Hunter in London: Historical and other Studies of Collectors and Collecting, London, Elliot Stock, 1895 (https://bit.ly/3nRJzoH)
Roberts, Maria, Yours Loyally: A Life of Christopher Sclater Millard, FeedARead.com Publishing, 2014
Roberts, W. [William], The Book-Hunter in London, Chicago, A. C. McClurg & Co., 1895 (https://bit.ly/3E3xWmc)
Rosenbach, A. S. W., Books and Bidders: The Adventures of a Bibliophile, 1927 (https://bit.ly/2spDsRz)
Rosenbach, A. S. W., “Letters that We Ought to Burn“, Saturday Evening Post, vol. CCVIII, no. 35, February 29. 1936, pp. 12-62 [all in all 5 pages]
Rosenbach, A. S. W., A Book Hunter’s Holiday: Adventures with Books and Manuscripts, Cambridge, Riverside Press, (1929) 1936 (https://bit.ly/3t4t1gc)
Rosenthal, Julia / The Oscar Wilde Society, Into Exile, n.p., May 25,1995
Ross, Alex, “Deceptive Picture: How Oscar Wilde Painted over Dorian Gray“, New Yorker, 8 August 2011, pp. 64-70 (https://bit.ly/2GhGpqE)
Ross, Margery (ed.), Robert Ross: Friend of Friends: Letters to Robert Ross, London, Jonathan Cape, 1952
Ross, Robert, “Note“, in Oscar Wilde, The Duchess Of Padua, First Collected Edition, [vol. I,] London, Methuen & Co., 1908, [p. v] (https://bit.ly/3wHoJfH)
Ross, Robert, “Introduction“, in Oscar Wilde, Miscellanies, (first authorized) Collected Edition, [vol. XIV,] London, Methuen & Co., 1908, pp. xi-xvi (https://bit.ly/2Ok8GEO)
Ross, Robert, “Introductory Note“, in Oscar Wilde, A Florentine Tragedy, Boston, John W. Luce & Company, 1908, pp. v-x (https://bit.ly/3BE3YVu)
Ross, Robert, “Preface“, in Oscar Wilde, Salomé, La Sainte Courtisane, A Florentine Tragedy, Methuen & Co., London, 2nd edition, 1910, pp. vii-xix (https://bit.ly/3xMxAym)
Ross, Robert, “Preface: A Superfluous Note of Explanation“, in The Soul of Man under Socialism by Oscar Wilde, London, Arthur L. Humphreys, 1912, pp. vi-x (https://bit.ly/2BB1BsU)
Ross, Robert, “A Note on ‘Salomé’“, in Salomé: A Tragedy in One Act, Translated from the French of Oscar Wilde with Sixteen Drawing of Aubrey Beardsley, London, John Lane, 1912, pp. [vii]-xxiii (https://bit.ly/3clVIQx)
Ross, Robert, “Preface“, in An Ideal Husband by Oscar Wilde: A New Acting Version produced by Sir George Alexander at the St. James’s Theatre, London, Methuen, 1914, pp. 5-6 [https://bit.ly/3Eyu4e5]
Ross, Robert, “Introductory Note“, in The Writings of Oscar Wilde, vol. IX, Salomé, La Sainte Courtisane, A Florentine Tragedy, New York, Gabriel Wells, 1925, pp. 207-210 (https://bit.ly/3mYZbt8)
Rowell, George, “The Truth about Vera“, Nineteenth Century Theatre, vol. 21, no. 2, Winter 1993, pp. 93-100
Russell, Natalie, “A Walk on the Wilde Side“, VERSO, The Blog of the Huntington Library, Art Museum, and Botanical Gardens, posted June 9, 2021 (https://bit.ly/3gx6BjP)
Sadleir, Michael, “Passages from the Autobiography of a Bibliomaniac,“ in Sadleir, Michael, XIX Century Fiction: A Bibliographical Record, vol. I, New York, Cooper Square Publishers, Inc., (1951), 1969, pp. xi-xxvi (https://bit.ly/3nSa5QC)
Sadleir, Michael, “Contemporary Collectors V: The Sadleir Library“, The Book Collector, vol. 4, no. 2, Summer 1955, pp. 115-121
Saltus, Edgar, Oscar Wilde: An Idler’s Impression, Chicago, Brothers of the Book, 1917 (https://bit.ly/2U9ycMq)
Scarry, John, “Mary Anderson and the Irish“, Dublin Historical Record, vol. 56, no. 2, Autumn, 2003, pp. 182-192 (https://bit.ly/3k1eVua)
Schroeder, Horst, “A Printing Error in ‘The Soul of Man under Socialism’“, Notes and Queries, vol. 43, no. 1, 1996, pp. 49-51
Schroeder, Horst, Additions and Corrections to Richard Ellmann’s Oscar Wilde, 2nd edition, revised and enlarged, Braunschweig, privately printed, 2002
Schroeder, Horst, “The First Editor of the Four-Act Version of Earnest: Hermann Freiherr von Teschenberg“, The Wildean, 32, Jan. 2008, 8-28 (https://bit.ly/3aX4D8l)
Schroeder, Horst, “The First Salomé: Lina Munte“, The Wildean, no. 33, 2008, pp. 20–24 (https://bit.ly/3lcYZG3)
Schroeder, Horst, “Volume IV of the OET Edition of ‘The Complete Works of Oscar Wilde, IV. ‘The Decay of Lying’“, The Wildean, no. 37, 2010, pp. 16–64 (https://bit.ly/3gASTgt)
Schwartz, Jacob, 1100 Obscure Points: The Bibliographies of 25 English and 21 American Authors, (Bristol, The Chatford House Press), Trowbridge, Redwood Press Ltd., (1931), 1969
Sherard, Robert, The Story of an Unhappy Friendship, London, privately printed, 1902 (https://bit.ly/35TN9Iq)
Sherard, Robert, The Life of Oscar Wilde, London, T. Werner Laurie, 1906 (https://bit.ly/2XSuvMI)
Sherard, Robert, The Real Oscar Wilde, London, T. Werner Laurie Ltd., n.d. [1917] (https://bit.ly/3rsLL8K)
Shewan, Rodney, Oscar Wilde: Art and Egotism, New York, Harper & Row Publishers, 1977 (https://bit.ly/2JeCXP0)
Shewan, Rodney, “A Wife’s Tragedy: An unpublished sketch for a play by Oscar Wilde“, Theatre Research International, 1982, Vol. 7 no. 2, pp. 75-131
Shewan, Rodney, “Oscar Wilde and A Wife’s Tragedy: Facts and Conjectures“, Theatre Research International, 1983, Vol. 8, no. 2, pp. 83-95
Sims, George, “Three Booksellers and their Catalogues“, The Book Collector, vol. 4, no. 4, Winter 1955, pp. 291-298 (https://bit.ly/3hIRJzW)
Sims, George, The Rare Book Game, Philadelphia, Holmes Publishing Co, 1985
Sims, George, More of the Rare Book Game, Philadelphia, Holmes Publishing Co., 1988
Sims, George, Last of the Rare Book Game, Philadelphia, Holmes Publishing Co., 1990
Sims, George, A Life in Catalogues, and Other Essays, Philadelphia, Holmes Publishing Co., 1994
Sinclair, Andrew, Corsair: The Life of J. Pierpont Morgan, Boston, Toronto, Little, Brown and Company, 1981 (https://bit.ly/3qA733w)
Small, Ian (ed.), Oscar Wilde Lady Windermere’s Fan, London, Ernest Benn Ltd., New Mermaids, 1980
Small, Ian, Oscar Wilde Revalued: An Essay on New Materials and Methods of Research, Greensboro, NC, ELT Press, 1993
Small, Ian, “Introduction“, in Fong, Bobby and Beckson, Karl (eds.), The Complete Works of Oscar Wilde, vol. I: Poems and Poems in Prose, Oxford, Oxford University Press, 2000,
Small, Ian, Oscar Wilde, Recent Research: A Supplement to “Oscar Wilde Revalued“, Greensboro, NC, ELT Press, 2000
Small, Ian, “General Introduction“, in Donohue, Joseph (ed.), The Complete Works of Oscar Wilde, vol. V, Plays 1: The Duchess of Padua; Salomé: Drame en un acte; Salomé: Tragedy in One Act, Oxford, Oxford University Press, 2013, pp. [xi]-xvii
Small, Ian, “Editing Wilde and the OET Edition of the Complete Works“, The Wildean, no. 45, July 2014, pp. 33-42 (https://bit.ly/38MoSGF)
Small, Ian, and Jackson, Russell (eds.), Oscar Wilde: Two Society Comedies, London, Ernest Benn Ltd., New Mermaids, 1993
Small, Ian, see: Guy, Josefine M.
Small, Ian, see: Jackson, Russell
Smerdon, Geoffrey, see: Whittington-Egan, Richard
Smith, Philip E. II, and Helfand, Michael S., Oscar Wilde’s Oxford Notebooks: A Portrait of Mind in Making, Oxford et. al., Oxford University Press, 1989
Snelling, O. F., Rare Books and Rarer People: Some Personal Reminiscences of ‘The Trade’, London, Werner Shaw Ltd., 1982
Spencer, Walter T., Forty Years in My Bookshop, London, Constable & Company Ltd., 1923 (https://bit.ly/3q5O6Fx)
Stern, Kimberley J., “A Note on the Text“, in Salomé: Oscar Wilde, Broadview Edition, Broadview Press Ltd., 2015
Stern, Madeleine B., Antiquarian Bookselling in the United States: A History from the Origins to the 1940s, Westport, Conn., London, Greenwood Press, 1985
Stetz, Margaret D., Facing the Late Victorians: Portraits of Writers and Artists from the Mark Samuels Lasner Collection, Newark, University of Delaware Press, 2007
Stetz, Margaret D., and Lasner, Mark Samuels, England in the 1890s: Literary Publishing at the Bodley Head, Washington, D. C., Georgetown University Press, 1990 (https://bit.ly/3cB1n1B)
Stokes, Roy, Michael Sadleir, 1888-1957, Metuchen, N.J. & London, The Scarecrow Press Inc., 1980 (https://bit.ly/2D2rClB)
Sturgis, Matthew, Oscar Wilde: A Life, London, Head of Zeus, 2018
Sturgis Matthew (ed.), Oscar Wilde: Wildeana, London, riverrun, 2020
Sutherland, John, “Michael Sadleir and his Collection of Nineteenth Century Fiction“, Nineteenth-Century Literature, vol. 56, no. 2, Sept. 2001, pp. 145-159 (https://bit.ly/3nZq9OD)
Symons. A.J.A., The Quest for Corvo: An Experiment in Biography, London, et al., Cassell’s & Co., 1934 {https://bit.ly/31S64kh)
Taylor, Robert H., “The J. Harlin O’Connell Collection“, The Princeton University Library Chronicle, Vol. 19, No. 3/4, 1958, pp. 149-152 (https://bit.ly/2uAaxv2)
Tipper, Karen Sasha Anthony, Lady Jane Wilde’s [“La Madre“] Letters to Oscar Wilde, 1875-1895, Lewiston, Queenston, Lampeter, The Edwin Mellen Press, 2011
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